Skip to main content

J Dilla

 143

J Dilla

BBC Radio 1Xtra - 1Xtra Talks with Richie Brave, Gone Too Soon, J Dilla

J Dilla 

James Dewitt Yancey, better known to the world as J Dilla, was born in 1974. He was raised on the east side of Detroit, where his mother was a former opera singer and his father was a jazz bassist. With that kind of family tree- it's easy to see how Dilla would go on to become one of hip-hops most influential producers. He first came to prominence when he formed Slum Village with two of his high school friends in 1988. Q-Tip from A Tribe Called Quest heard some of Dilla’s beats and soon helped spread the word. Dilla would go on to produce for the Parcyde (“Runnin’”), De La Soul (“Stakes is High”) and A Tribe Called Quest (“Stressed Out”) as well as Busta Rhymes (“So Hardcore”), and an unaccredited remix for Janet Jackson in the ‘90s. He also did notable work with the Soulquarians, a loosely associated neo-soul collective with the likes of Questlove, Common, Erykah Badu, D’Angelo, Most Def and Talib Kweli. It wasn’t until 2001’s Welcome 2 Detroit that the name J Dilla would appear on the cover of an album- and then it was official- Dilla was now a solo artist. His uniqueness began to shine more brightly on his first solo effort to hit the charts, 2003’s Ruff Draft. He honed his beat-making technique working with Madlib on 2003’s Champion Sound (billed as Jaylib). He then reached his creative peak with 2006’s Donuts, a breakthrough in recorded music. Dilla’s sampling was a reinvention of hip-hop framed through the lens of Detroit’s multi-decade legacy, including live excursions into techno, electric jazz and Afro-funk. Unfortunately, Dilla would passed away, a victim of cardiac arrest due to a rare blood disease,  the week Donuts was released. Songs like “Waves,” “Airworks,” and “U-Love” show Dilla’s impressive sampling technique where he was able to identify microscopic moments with no vocals, chop them manually, and play them back through electronic pads as if they were just one long seamless loop. Watch this video of Questlove remembering this process when he worked with Dilla in the late ‘90s. Since his passing, there have been a treasure-trove of re-issues and posthumously released albums and his legacy and output is in good hands, as it is now overseen by his mother. Here is a list of awesome compilations, remasters & re-issues: Donuts EP: J. Rocc’s Picks (EP), The Shining, Jay Love Japan, Jay Deelicious 95-98: The Delicious Vinyl Years (Originals, Remixes & Rarities), Jay Stay Paid, Dillanthology 1: Dilla’s Productions for Various Artists, Dillanthology 2: Dilla’s Remixes for Various Artists, Dillanthology 3: Dilla’s Productions, Donut Shop (EP), Dillatroit (EP), Rebirth of Detroit, Lost Tapes, Reels + More, The Lost Scrolls, Vol. 1 (EP), Diamonds & Ice (EP), Give Them What They Want (EP), Jay Dee a.k.a. J Dilla ‘The King of Beats’ (Box Set), Jay Dee, a.k.a. J Dilla ‘The King of Beats’, Vol. 2: Lost Scrolls, Dillatronic, Jay Dee’s Ma Dukes Collection, The Diary, Back to the Crib (a DJ mix he made at 17-years-old!), Motor City, and J Dilla’s Delights, Vol. 1 & Vol. 2. The breadth and scale of his work cannot be understated. Because it’s a thrilla’.

It’s…

J Dilla

 

Comments

Popular posts from this blog

Grouper

 131 Grouper  Grouper Reverb. Echo. Effects. Acoustic. Droney. These are some words you could use to explain Grouper's earlier work. Grouper is the solo project of Liz Harris. Her first album was self-titled & self-released. Grouper's second album was 2006's Way Their Crept . There was something special about that mid-ought's droney-underwater sounding indie. Grouper would go on to release five (!) more albums before I came on board as a fan: 2006's Wide , 2007's Cover The Windows & The Walls , 2008's widely acclaimed Dragging a Dead Deer Up a Hill & 2011's double-album (but separately released) AIA: Dream Loss & AIA: Alien Observer ... just to be followed up by 2012's double album: Violent Replacement Part I and Violent Replacement Part II . It wasn't until Grouper's more structured-releases that I became a full fledged fan. It was with 2013's The Man Who Died In His Boat that I finally jumped on board as a full-fled...

Cake

43 Cake Cake What you need is some CAKE. The late 90's were primed for CAKE. When the emotional hangover of the grunge scene was too much, we got CAKE. This isn't a gag joke. In fact- your gag reflexes are in need of some CAKE.  Despite CAKE's quirky surface, singer John McCrea's deadpan delivery and Vince Di Fiore's mariachi trumpet playing, CAKE is as real as it gets. And with more than 25 years as a band and still going strong, they have nothing left to prove. It all started with 1994's Motorcade for Generosity with the single " Rock 'n' Roll Lifestyle " which mocked trust-fund rebels. Then came 1996's Fashion Nugget with the all-time classic " The Distance ." 1998 gave us Prolonging the Magic, a high-water mark. I got on board in 2001 with Comfort Eagle . I was big on disco at the time and their cover of " I Will Survive " caught my attention, and then I saw the " Short Skirt, Long Jacket " video o...

FKA twigs

99 FKA twigs FKA twigs FKA twigs is the brain-child of Tahliah Barnett. Under her stage-name of FKA twigs (which I'll just refer to her as twigs from here-on-out) she has released three EP’s (2012’s EP1 , 2013’s EP2 , and 2015’s incredible M3LL155X EP )  and two albums (2014’s LP1 & 2019’s Magdalene ). With someone with such a small catalogue, it's amazing how dense and rich this music is. Before Billie Eilish made the whole whisper-singer mainstream last year, twigs was already releasing down-tempo-trip-hop-whisper-sung music back in 2012. That is when she released her debut, EP1 . twigs hqd been studying dance since the age of six, but deep down, she knew she always wanted to be a recording artist so she eventually left the dancing behind (in a way [dance has always been a big part of her project]) to focus on her music project. However, limiting to just a music project is doing it an injustice in labeling. It’s more of a visual-dancing-art project. Ever ev...